Tuesday, 7 October 2025

Inside Number 0

(Reposted from my Substack newsletter, because I am nostalgic about this blog, and don't want it to lapse entirely)


An American theme park version of a twee British town with bow-windowed shops and tilting chimneys
Anderson Village, yesterday
Alt text: An American theme park version of a cute English village.


Here’s something I came across this week that made me literally weep helplessly with laughter, while sitting in a room by myself. But then, I have been working quite hard lately. Maybe it won’t do anything for you. Let’s see.

For something I was writing, I needed an authentic sounding fake address in a country I don’t know much about. I wondered if there was some sort of online generator for these, and sure enough I found one. I won’t give the name, but if you want to find it and play with it, just search for this proud boast which appears on the front page:

We have spent 3 years collecting data from every country to generate this enormous database.

Wow! That’s pretty impressive commitment to the project. I gave it a whirl… and the address it spat out certainly looked convincing to me. But of course I’ve got no way of judging. And then it occurred to me that a first step, at least, would be to generate a few fake British addresses, and check that they all sounded pretty plausible. As, at this point, I was confident they would. These guys collected data for three years, after all.

Well. I never got to step two. Here’s what their enormous database suggested to me as authentic-sounding addresses in the UK:

2 Scott Common Jenniferstad S60 2PT

734 Yvonne Corner Zacharyberg TR10 8QN

547 Erin Squares New Andyfurt WF9 2JY

22 Wilkinson Overpass East Sebastianmouth BN13 3DN

4 Matilda Via North Emilychester M20 1BT

Studio 189 Freya Ramp Port Jonathanside TW15 3EQ

0 Anderson Village West Aliceland WF10 2A

Flat 48v Harrison Motorway Lake Gary EH4 5LQ

I started laughing as early as Jenniferstad. The weeping began at East Sebastianmouth. The point at which I had to get up and walk around for a bit in case I hurt myself was 0 Anderson Village.

I can’t quite explain why I found them so funny. Partly it’s that it doesn’t seem like an address generator would be all that difficult a thing to make, and these guys spent three years on theirs, and they’re so proud of it… and every single one is so utterly, magnificently wrong, usually in two or three separate ways.

Partly it’s the inclusion of genuine British postcodes, that place the noble city of Jenniferstad, for instance, in the centre of Rotherham.

Partly it was imagining non-British screenwriters cheerfully accepting these, and using them to write their authentic British dialogue:

You’re from Emilychester?! I grew up in Emilychester! Which part?

4 Matilda Via?

“Via”?

Yeah. It’s in the Italian quarter.

Oh right, North Emilychester. I’m a South Emilychester girl. Go Axolotls!

Or

Oh, her? The artist? Yeah I know her. Everyone knows everyone in a little English town like Port Jonathanside. She’ll be at work by now. You’ll find her in one of the nearly 200 studios clustered on Freya Ramp.

But mostly, it was the questions it raised:

Why are there no Roads or Streets? We almost all live on a Road or a Street! How did they get to a point where they included ‘Overpass’ and ‘Squares’ (plural), but not ‘Road’?

What happened to the original Andyfurt? Is it in another country, maybe near Frankfurt, and New Andyfurt was named after it by German settlers? Or was there a terrible disaster in Andyfurt, and New Andyfurt is build on the rubble?

Just how long is Yvonne Corner? There are 734 houses on it! What the hell is it the corner of?

Why is there a house on a motorway? I speak of course of Harrison Motorway, that vital artery that leads to majestic Lake Gary, and one of the few British motorways to have a first name. The house doesn’t have a number, so presumably it’s the only one on the motorway. Then again, no wonder, because someone is living in Flat 48v. So… the house is large enough that it’s now been broken up into at least 48 flats. And at least one of those flats is itself large enough that it’s been sub-divided into… at least 22 lettered sub-flats? Seems like it might feel a touch crowded. I think before long you’d be wishing for a bit of peace and quiet. The sort of peace that you can only truly find in Anderson Village, West Aliceland. Just ask for number 0.

Saturday, 31 May 2025

Resting Postures of Koalas, Judged For Practicality and Style.



A diagram from a zoology textbook, showing the various ways in which koalas rest. Yes, I suppose I am an eclectic reader, how kind of you to say so.

(a) …I’m sorry, what? This is your ‘basic posture’? When a koala wants a rest - which, let’s remember, is practically always - this is the go-to? It’s a mess, koalas. I’m sorry to be harsh, but pull yourself together. First off, neither of your forepaws are holding on to the tree. One’s tucked clear behind it, and heaven knows what the other’s up to. Granted, both rear paws are hanging on for dear life, but then they would have to be. You’re quadrupeds, koalas. Get it together. 

b) I mean, marginally better, I suppose. At least you’ve got one paw each side. But you look like you’re having an existential crisis. And you’re still not holding the damn tree.

c) What are you looking at? You’re a koala. Whatever it is, there’s nothing you can do about it. It’s a potential prey, then it’s a leaf, it’s not going anywhere. If it’s a potential predator, it’ll eat you if it wants to. Neither flight nor flight are realistic options for you, koalas, you might as well relax. Some practicality points, I suppose, for actually using your front paws for once. But… what exactly is going on with your back half? I’m not even sure what I’m looking at there. To be fair, this might not be your fault so much as your illustrator, who I assume is Smith (1979). You might want to have a word with Smith, Koalas. I’m beginning to suspect they’re not on your side. 

d) Wow. Ok. I mean, obviously it’s ludicrous, but… I can’t deny it’s got flair. This koala is inevitably going to fall out of their tree in the next twenty to forty seconds, but right now they’re on the top of the world looking down on creation, and I haven’t the heart to criticise. Go for it. 

e) Ok, that’s surprisingly intense. This is your normal ground posture, koalas? Really? The ‘furious coffee table’? Well, it’s stable, for once. But I reckon you could take the attitude down three or four notches. Once again, remember what you are. You’re koalas. No-one is going to mistake you for Robert de Niro. 

f) Yes! This! This one! This is sitting, koalas. This is what it looks like. You look stable, you look symmetrical, you look almost half way to being a normal sensible animal. Stick with this one all week long, with perhaps a session of e) for Saturday night, and d) for Sunday morning. 

g) What’s this, koala stealth mode? Are you stalking an antelope? Get up, koalas, you look ridiculous. And what have you done to your ears? 

h) You’re going to roll away, koalas. That’s what’s going to happen here. One breath of wind, and you are quite simply going to roll away.

Tuesday, 31 December 2024

Not Even A Mouse

 Here is a short story I wrote for Radio 4 to broadcast on Christmas Day. 

It was read by the very excellent Adrian Scarborough, and, while it’s still on BBC Sounds, I suggest you go here to listen to him read it. But if it’s no longer there, here it is. 


Not Even A Mouse

 

By John Finnemore



 

    Guess what colour my wife’s dressing gown is. No, go on, just guess. …Green? No, not green. Why would it be green? …Yes, no, fair point, perhaps you need a spot more context.

 

    Well, look. Let me be very clear about one thing from the off. At the start of this story, I’m stumping home on Christmas Eve wearing a black hat with ‘Bah Humbug!’ printed on it. And then later, something remarkable happens to me on the stroke of midnight. The assurance I want to give you is this:  I do not learn a thing. Not a sausage. In particular, at the end of the story, I feel precisely the same way about Christmas as I do at the start of the story. Which is, you know… pffff. I don’t mind it. I certainly don’t hate it. But if we all collectively decided not to bother next year, that would be fine with me.

 

    And this, you’ll agree, is one of several important differences between me and Ebenezer Scrooge. I’m Michael, by the way; Michael Cope, hello. Scrooge did hate Christmas. We are left in no doubt about this, Charles Dickens not being much of a boy for subtext. But Scrooge’s problem with Christmas was that he didn’t see why we should be nice to each other just because it’s Christmas. Whereas my problem with it, inasmuch as I have one, is that I don’t see why we should be nice to each other just because it’s Christmas. You see?  Quite different. Although, yes, I realise… not in terms of the actual words. But what I’m saying is: Scrooge was arguing for a reduction of being-nice-to-each-other days by one, whereas I’m in favour of an increase by 364.

 

    We also differ in appearance. Scrooge, we’re told, was a meagre old man, with pointed nose and shrivelled cheek. My nose is round, my cheeks are blooming, and my worst enemy wouldn’t call me meagre. And nor would my doctor. My doctor would, and does, talk about the importance of making some changes to my lifestyle, even though I’ve never had a lifestyle, I’ve just lived. And my worst enemy, if I had one, I hope I don’t, would call me fat. And so would I, because I am.

 

    The only similarities between Scrooge and me, then, are firstly, as mentioned, that something extraordinary happened to each of us on the night before Christmas; and secondly that we both associated ourselves with the phrase ‘Bah Humbug’. Him, by saying it constantly. Me, by wearing it on a hat.

 

    So why, given that I don’t feel particularly bah about Christmas, and only mildly humbug, the hat? Well, the thing is this.  Suppose you are a man of a certain age; and that age is… I wouldn’t say old, but it can certainly see old. And it can’t see young. And suppose also you are of a certain build, of the sort that makes doctors speak of lifestyles, as discussed. And suppose finally that you also happen to have a great big bushy snowy white beard. Well, in these circumstances, come December, you have a decision to make. You can lean in… or you can lean out. There’s not really a middle path.


    Now, I live in a fairly tiny village, and everyone there is very well aware that I am not Father Christmas. But further afield, the black santa hat with ‘bah humbug’ on it is simply an efficient signalling mechanism. It says to small children: ‘It’s probably not him’ and it says to big children, and certain adults: ‘Can we not?’

 

    Incidentally, I don’t think the beard does make me look like Father Christmas; I think it makes me look like Karl Marx. But here, I accept, I am in a minority of one. No-one ever leans out of a passing car window to shout ‘From each according to his ability to each according to his need!’ at me. I wish they did.

 

    So, on this particular Christmas Eve, home, as I say, I stump. The stumping doesn’t denote grumpiness, it’s just the way I walk. I get to my cottage. I wave hello to my next door neighbours - nice woman and her little girl, one of them’s called Eloise, but I’m never sure which, so I’ve managed to go five years without directly calling either of them anything. I let myself in. I have the house to myself for a couple of days, because Ruth has gone to Bristol to visit our daughter. And the grandkids.

 

     Now, hold your horses. Yes, yes, I know how that sounds, but listen. This is a long-standing arrangement that suits everyone. Don’t think I’m not a nice Grandpa- I’m a lovely Grandpa, though I say so myself. But Christmas is not the time I shine. Summer’s when I shine. Every summer holidays, we all go to a farm in Wales for a week, I help the kids feed chickens, take them go-karting, push them into the pool with their clothes on – I’m generally the life and soul of the party. But Christmas is more Grandma’s thing. So, Grandma Ruth goes over for Christmas, and Grandpa Michael sends much love and rich gifts, but stays at home with a takeaway curry and a DVD of the most recent Ashes series.

 

    So, about 10 o’clock on Christmas Eve, with England 240 for 5 at tea, I washed up my plate, put on the burglar alarm, and went to bed.

 

    And it was about midnight, as in Scrooge’s case, that the extraordinary event occurred. In his case, of course, it was being visited by four ghosts. Not three, four - Marley was a ghost too. Everyone always forgets Marley. In my case, and this really is truly extraordinary, and I still don’t have a rational explanation for it - it was the inexplicable failure of a very elegant method for generating memorable burglar alarm codes.

 

    You see, like anyone with good security hygiene, I change the code every week. Stephen Cherry sees fit to mock me for this, but then again the code to Stephen Cherry’s electronic gate is quite clearly one of the four possible combinations of three 9s and a 1. As is evident to any passer-by, or passing burglar, from his number panel with an extremely shiny 9 and a fairly shiny 1.

 

    I, as I say, change ours every week, and to do so I have created a simple method of generating endless new codes which are unguessable yet effortlessly memorable. It really is beautifully elegant- I wish I could share it with you. Suffice it to say that it’s a system that never fails - in fact, that cannot fail. Although on this occasion, it did.

 

    And so, when I got up at twenty to twelve and wanted to go back downstairs, for reasons which need not concern us, but which I found nonetheless pressing, I put in this week’s new code, and instead of the usual pleased burrrr, I got a tetchy tick tick tick. At first, I didn’t even know what it meant - which only goes to prove my point, because the reason I didn’t know what it meant was that in five years of putting a new code in every week, I had literally never heard it before. The ‘number not recognised’ noise which I now discovered my burglar alarm could make had had as little exercise as the digits two through eight on Stephen Cherry’s front gate keypad. Anyway. For whatever ineffable reason, the code which was definitely the right code wasn’t the right code; and I wasn’t able to go downstairs. And I very much wanted to go downstairs. We live in one of the old cottages by the green, you see, and the bedroom’s the only upstairs room. No exceptions.

 

    So. I retreated back to the bedroom, and considered my options. These appeared to be two. One was to wake up the whole village, in the middle of the night before Christmas, with a loud burglar alarm that I would then be unable to turn off. The other was… the window.

 

    Now. This was not quite as dare-devil a prospect as it may at first sound. For one thing, I keep a large and powerful torch in the bedroom for - well, not for just such emergencies, as this particularly emergency had never occurred to me, but at any rate for emergencies. Then, the bedroom being a loft-conversion, the window gives directly onto the low, gently sloping tiled roof of the cottage. I’ve been out on it scores of time for maintenance and repairs. Not in the middle of the night, admittedly, but see above re torch. And the roof comes all the way down, as is the way of these old cottages, to barely six feet above the flower beds. Perfectly easy to let yourself down from. Not dignified, perhaps, but easy. And then, I would have the whole of my back garden at my disposal. For let us have no further secrets between friends – what I needed was a wee.

 

    So, I opened the window, and clambered out.  Two things immediately struck me, once I was actually out on the roof. It seemed very much colder than it had done last time I was up on it, clearing the gutters one sunny afternoon in July. And the six foot drop to the ground seemed very much higher. Logic told me that only one of these things could possibly be true, but they both seemed to strike me pretty forcefully. I clambered back in again.

 

    Inside, with the clarity of mind and speed of decision-making only a full bladder can provide, I collected reinforcements. Firstly, Ruth’s dressing gown. My own dressing gown is a sort of thin towelling affair, and besides, it’s older than I am. I mean, not literally, obviously, but in dressing gown years. Whereas Ruth’s is a big fluffy quilted job, which I can only describe as - it’s not a word I like, but it’s the one that meets the case - snuggly. Secondly, I gathered up the duvet from my bed, which I planned to drop onto the ground below, and use as a sort of makeshift crashmat. What I then intended to use later in the night as a sort of makeshift duvet, I’m not sure. I think possibly I felt this was future Michael’s problem.

 

    Thus equipped, I clambered back out onto the roof. The wind had picked up now, and as I edged carefully along the tiles, I realised that the large duvet I was dragging behind me was threatening to act as a sail. I gathered up the corners to reduce the surface area, and slung it over my shoulder. I then wedged the torch between my shoulder and my beard, thus freeing up the other hand to steady myself against the chimney stack.

 

    At this point, a number of things happened, in sequence. First, it turned midnight. Second, the clock in the village church across the way began announcing event one. Third, I looked up sharply, startled by event two. Fourth, the torch, released from my shoulder by event three, fell on to the roof, and then rolled down the tiles and into the gutter with a noise like the devil’s own glockenspiel. And fifth… presumably in response to event four, suddenly in the dark streets shineth an everlasting light. From my neighbour’s upstairs window.

 

    And it was only as I gazed up at that rectangle of light, and saw, framed in it, my neighbour’s six year old daughter gazing at me with eyes like saucers, that it occurred to me what colour my wife’s dressing gown is. Guess. That’s right! I told you you’d able to do it with context. 

 

    And, I don’t know… I think it was the thought of the black hat. Of me diligently wearing that black bah humbug hat day after day throughout December to counteract the beard…. that meant I just couldn’t stop myself laughing. Which of course didn’t help at all.

 

    And the little girl, without taking her eyes off me for a moment, opened her window, and I’ll never forget the expression of wonder on her face as her little voice called out:

 

    “…Are you alright, Mr. Cope? What are you doing on your roof?”

 

    I mean, I wasn’t surprised. After all she’s six, not three, and we’ve been next door neighbours practically all her life. So, no, not surprised. Or rather… if I was surprised, what surprised me wasn’t the fact that she recognised me, it was the fact that I felt, well… just the tiniest bit… disappointed.  I mean. I’d never have predicted it, but in that moment, when I saw her face, it had just sort of flashed upon me that, after all, it might be rather nice- for her, I mean- if she’d thought… well, after all, I’d gone to a fair bit of trouble to achieve the effect. Entirely accidentally, by all means, but undeniably trouble.

 

    Anyway. The girl fetched her Mum - the Mum, it turns out, is the Eloise; the girl is Grace - and Eloise fetched a stepladder, and I was swiftly de-roofed, and invited in to use the facilities, for which relief much thanks. In fact, the pair of them, who were lovely, and whom I really ought to get to know, very sweetly invited me to sleep in their spare room until the alarm situation was resolved. But I declined with thanks, because… well. I was thoroughly awake by that stage, as you can imagine, and it struck me that, if I was going to spend Christmas in someone else’s house, I could do worse than… well, after all, the roads would be empty. I’d have a lovely clear run.

 

    Not, as I say, that this whole incident in the least changed my attitude to Christmas. It did not. I still think it’s a shame we need a festival to remind us it might not be a bad idea to be nice to one another. The only thing it did, possibly, make me reconsider is that… given that we apparently do need such a festival, if you have a choice between leaning in and leaning out of it… perhaps in is the direction in which to lean. And if you happen to look the way I happen to look, and if that happens to be a look that children enjoy, well… from each according to their ability, to each according to their need, and all that. So, on the drive to Bristol, I stopped at the services and bought myself a new hat.

 

    Guess what colour it was.


Sunday, 22 December 2024

24 Things I Drew This Year - 17

This baby orang-utan, in September

Alr text: a red and black Conte stick drawing of a baby orang-utan.



Thursday, 19 December 2024

24 Things I Drew This Year - 16



These Brightonians, in April,





Alt text: A pencil drawing of some people sitting at an outside table, and on a wall, on the beach in front of Brighton's ruined West Pier. In which I remember that different objects can have different vanishing points... but fatally forget that they have to be on the same horizon. Especially if your drawing also shows the horizon. 


 

Wednesday, 18 December 2024

24 Things I Drew This Year - 15

These hot Dads, in July


Pencil sketch of two over-heated looking middle-aged men, with the caption 'Hot Dads in your area are looking for ice cream!'

Tuesday, 17 December 2024

24 Things I Drew This Year - Thing 14

 This baby, in September:




Alt Text:  Rough pencil sketch of a baby, looking like a baby.