Possibly should have mentioned this before, but Souvenir Programme is back! It's going out at 6:30 on Tuesdays. The first three episodes are available here, and the next three will go up there too in due course.
Random thoughts on today's episode:
The Pachelbel sketches (One Hit Wonder and Loose Canon. I still give sketches names, even though only Ed and the cast ever see them) were written for Radio Three's anniversary last year, on the condition I was allowed to re-record them and use them in my show too. Susannah Pearse arranged and played the canon, of course, while I sat next to her, miming, and at one point helpfully knocking the music off the stand, as she played, live, on Radio Three... (For non-Brits: Radio Three is the big serious classical music station.)
I do genuinely own all those shirts, and that jumper I bought in the sixth form, which as one of the cast kindly pointed out to me means that it is older now than I was when I bought it. The pineapples on the pineapple shirt are subtler than the ones you're probably imagining.
The first policeman sketch was inspired by Line of Duty, which is why I asked Simon to do a Northern Irish accent, in honour of Adrian Dunbar.
Apparently, the reason we can get away with saying Coca-Cola is made of dissolved children's teeth is that, to prove it was defamatory, they would have to a) argue that a reasonable person might think it is, and b) reveal their secret recipe to prove it's not!
The parrots sketch came out of Silly Voices Day*, and was Lawry's idea. The Save the Children sketch last week did too - that one was inspired by a perfectly nice woman one of the cast once worked with, who had a witch-y voice. I want to say which member of cast, but perhaps I shouldn't, just in case...
(Just in case the woman somehow reads this and is offended, I mean. Not just in case she actually is a witch.)
|Ol' Vine Leaves, Baggy Grey, and Pineapples. See? Subtle.|
*It occurs to me this could probably stand some elaboration. Every series we have a Silly Voices session about half way through the writing process, where Ed, the cast, and I get together, and I pitch half-formed sketches which I don't yet know how to make work; and also quite literally get everyone to do silly voices in case that inspires something, which it often does. Other sketches that began at Silly Voice Days include: Basking Sharks, Kirates, the family reunion one with everyone being older than the person before, the slow-talking emergency briefing one, and many more.