Alt Text: A red and black pencil sketch of another model from my life drawing class.
2
comments:
Anonymous
said...
Just saw a link to this site. Clicked on the most recent entry. Not to comment upon directly, just to make a brief ephemeral connection to say... I'm a fan. Not an obsessive, not a compleatist by any means. But I've never seen/heard anything by you that I wasn't impressed by. You seem incapable of creating things that are only OK. In particular, I wanted to say something about Souvenir Programme. Sketch shows are patchy - it's in their nature. Joel Morris's Comfort Blanket podcast recently covered series 4 of Monty Python, and pointed out that the fact that it's not 100% bangers and that some of the sketches aren't great is part of the point, because nothing is. How could it be? That's not a rhetorical question. I ask it to you seriously, because I listened to Souvenir Programme and what struck me about it, hard, was that it appeared there were no weak spots. Time after time the entire runtime was composed of sketches that would be "the one everyone remembers" in any other show - things you'd expect to be the high point surrounded by still OK but less good work were repeatedly equalled or topped by the rest of the show. I'm frankly baffled by how you achieved this, and I don't think you get anywhere near enough credit for it. The only other person whose consistent creativity confuses me in this way is Ross Noble. I hope you find the comparison flattering. In any case, I obviously think your stuff is bloody brilliant and thought you might like to know that. Thank you.
I am the man in this photograph of me. Writer, comedian and actor. I wrote Cabin Pressure, and now write John Finnemore's Souvenir Programme, and Double Acts.
2 comments:
Just saw a link to this site. Clicked on the most recent entry. Not to comment upon directly, just to make a brief ephemeral connection to say...
I'm a fan.
Not an obsessive, not a compleatist by any means. But I've never seen/heard anything by you that I wasn't impressed by. You seem incapable of creating things that are only OK.
In particular, I wanted to say something about Souvenir Programme. Sketch shows are patchy - it's in their nature. Joel Morris's Comfort Blanket podcast recently covered series 4 of Monty Python, and pointed out that the fact that it's not 100% bangers and that some of the sketches aren't great is part of the point, because nothing is. How could it be?
That's not a rhetorical question. I ask it to you seriously, because I listened to Souvenir Programme and what struck me about it, hard, was that it appeared there were no weak spots. Time after time the entire runtime was composed of sketches that would be "the one everyone remembers" in any other show - things you'd expect to be the high point surrounded by still OK but less good work were repeatedly equalled or topped by the rest of the show.
I'm frankly baffled by how you achieved this, and I don't think you get anywhere near enough credit for it. The only other person whose consistent creativity confuses me in this way is Ross Noble. I hope you find the comparison flattering.
In any case, I obviously think your stuff is bloody brilliant and thought you might like to know that. Thank you.
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